This all bring me back to my first semester at the University; I had given a presentation on Clear Channel radio and its sub part, iHeartRadio, in front of my first Media and Communications class. I presented on the particular company, their marketing strategies, the positioning of popular artists and bands, the amount of airplay given, and mentioned a few other major record companies. I made it a point to discuss the very many personal issues I had at that time: that it is much more difficult for independent artists to make it into the mainstream music world; that independent artists were much more artistic, brave, and hardworking than those that sang on our everyday radios; that major record labels, and even Clear Channel radio, were trying to regurgitate what independent artists were creating, and then would use and sell it as new major productions for auto-tuned-using artists. Plus, it was so obvious that major recording artists did not have as much creative freedom as the courageous indie artists! Indie music generates future genres and therefore plays a key role in our world’s musical history! I remember feeling so passionate for the independent artists and engineers who didn’t stand much of a chance for the radio or success; for the indie band scene and all the bands that my friends played in. I also remember feeling extremely annoyed and frustrated that the class didn't seem to understand just why and how Clear Channel and other major record label companies were ‘ruining’ the music world.
Well, after four years, I've come to terms that without one, there cannot be the other. Without mainstream music, there would not be room for the independent artists and a fun escape for experimental music lovers. And ultimately, there would not be Korean indie music without K-pop.
I've learned that although independent record labels and artists do not always see as much popularity and radio time as their counterpart, they can sometimes expect more financial success, [but this doesn't mean they are always financially lucrative]. This is because major recording artists spend a lot of money on their royalties. This includes: album artwork and album packaging, tour support, and video production. Because independent artists produce, record, and advertise their music themselves, they have fewer royalties and costs of production. And to me, it makes indie music, from any area around the world, so much more special.
For this article, I was to brush up on Korean indie music and its scene. After a quick but through introduction and a few listening-dates with Korean indie music, I became a hooked K-indie fan. I've spread the word like wildfire about the fun, sometimes sad, but always experimental music. However, even still with today’s technology and social media, not enough people know about Korean indie music or indie music in general for that matter. This has a lot to again with the promotion, positioning, marketing, financial status, and advertising of the artist or band. It is difficult for Americans and other people living in other countries to lend an ear to all of Korea’s booming indie artists as not all of their music is made available to other foreign public. Although there is a lot of Korean indie music online today, a ton of independent Korean artists do not have their music on worldwide music outlets such as iTunes or YouTube. This makes the Korean indie scene so much more special and fresh… there is still some secret and innocence of it all.
The Korean indie music scene is built of a community of localized indie-music-loving bands and artists. The style of music varies from experimental hip-hop, r&b, soul, electronic, some folk and vintage. The sounds you’ll hear are typically guitars, monophonic synthesizers, minimal bass lines, loose drumming, obscured vocals, distortion or layering of multiple tracks, unconventional sounds, and sometimes brassy wavelengths.
What I found so cool and refreshing about Korean indie music was that I had absolutely no idea what they were saying, but yet completely understood the meaning of the song and could even relate to some. I also really loved that there were so many female artists! Some artists that I really enjoyed were Nell, Taru, Clazziquai Project, Lucite Tokki, and Savina + Drones. Even more, I absolutely loved a lot of the music videos for the songs being played.
Here are some examples:
Clazziquai Project – Can’t Go Own My Own
Indie Music is Everywhere! Although Korean indie music may be my new favorite, don’t hold yourself back from hearing sounds from independent artists and bands from around the world!
The United States is a hot spot for old and new independent recording artists! From Seattle, Washington to the various cities of New York… Omaha, Nebraska to Austin, Texas… Provo, Utah and Baltimore, Maryland… just to name a small few popular cities that are well-known for their indie music artists and bands.
Japan also has a ton of indie music and recording artists. The area has a very active ‘punk’ indie scene.
Europe is also covered with amazing indie artists and bands. The United Kingdom was in fact the first place to really term what “indie” meant in 1986. And then there is Sweden, Belgium, various indie rock festivals in France and Germany, Spain, the Netherlands, and so, so, so much more.
Australia’s Melbourne takes the win of being the biggest hot spot for indie rock music as it provides the largest music scene than any other city in the world! But you should still check out Australia’s Sydney, Brisbane, and Perth!
A few other places to look for Korean indie music (and other various independent artists), is through:
www.koreanindie.com, www.8tracks.com, www.pandora.com, www.youtube.com
When I hear the word "indie," I tend to think "rock." But my experience with Korean rock music has, unfortunately, been rather disappointing, in that it tends to be too light and pop-like. I wonder if the indie bands you checked out include any legitimate rock artists.
ReplyDeleteYou got to have passion and drive if you want to be a indie musician in Korea, The bands pour out so much energy and time to play some of the smaller clubs in Hongdae but the turn outs are insane, you will be dripping sweat after the show.
ReplyDeleteLots of fun!
Yea, a lot of the harder or more psychedelic-rock bands that I found, were under major recording labels, such as Galaxy Express. Even here in the United States, more of the "indie" genres are not considered hard-rock either...
ReplyDeleteI really dig your article!!!! Even though I don't understand what they are saying when I listen to music from a different language, I can understand the passion, pain, love, and emotion coming through in the music. Exploring different things out of my comfort zone is the spice of life. Listening to music from a different culture is a form of traveling i think and people should broaden their horizons and explore the vast world that we live in!!!
ReplyDeleteGreat article--my sentiments exactly! You and your readers can add our website (based here in Korea, bilingual) to your list-- www.doindie.co.kr ;)
ReplyDeleteMy GOD I miss going out to see new bands -- some survived and became great, others faded and were forgotten -- but each trip out to see the new bands in Korea... always a good time. Man, I miss it. Oman is BORING!!!!
ReplyDeleteI got to work with some cool musicians from some indie bands during my time translating at EBS. It is refreshing to see people with passion and commitment for the truth of something. I wish I had more time to get out check out more shows now and then.
ReplyDeleteHey, thanks for your interest in the indie scene I call my home. Like oOaquamentusOo (awesome username by the way), I tend to associate the term "indie" music with "rock" music. There has been a thriving, very tight-knit, very underground community of rockers in Korea ever since the 1980's, a scene rich in genres ranging from punk (No Brain, Crying Nut, Hwang Boryung) to psychedelic grunge (Cocore, Amu Band, 3rd line butterfly) to straight-up metal (Iskra, Schizo, Zero-G). The post-post scene is currently exploding with new bands ranging from very dark to very upbeat (Asian Chairshot, Goonam, Apollo 18, Gateflowers, The Electric Eels, The Black Skirts, Momgwamaeum)... and these are just off the top of my head.
ReplyDeleteI've created a blog where I chronicle the ins-and-outs of maneuvering the Hongdae indie scene: seoulmutesick.wordpress.com . I made it like two days ago so there's only three posts up for now, but I'm adding more posts full of information about obscure bands, my daily impressions, interviews of friends that are in bands, valuable links that are treasure troves of Korean indie music, etc. Again, thanks for the interest -- it means so much to those of us trying to eke out a living doing what we genuinely love.